Stained Glass and Clyde Barrow

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One evening in Autumn of 1967 some pals and I, sophomores at North Texas State University, adjourned to the Campus Theater on the courthouse square in Denton, Texas, to look at the then-new Hollywood movie ‘Bonnie and Clyde’. That insignificant but very well known opus had its globe premier there a several days ahead of, possessing been filmed in minimal towns all all-around Denton and Dallas Counties where lots of of the properties housing the financial institutions robbed by the unique Bonnie and Clyde are continue to standing. The movie alone was a instead thin interval fashion show, and neither Warren Beatty nor Faye Dunaway have been primarily convincing as the 1930s-period desperadoes Clyde Barrow and Bonnie Parker. The film’s glamorizing and romanticizing of the outlaw techniques of Barrow and Parker form of complimented the rebellious ‘hippie’ counter-culture notions trendy among the a ton of late ’60s American bourgeois higher education young children.

The next weekend, when going to my dad and mom in Dallas, I mentioned having long gone to see ‘Bonnie and Clyde.’ My mom replied, “He used to bounce me on his knee.” “Definitely?!” I reacted. She nodded of course and smiled to herself. Some years later, a single issue having led to yet another and a further, I acquired to the bottom of that fairly sudden addition to my original encounter of the infamous neighborhood pair.

Sometime during the 1980s I arrived to discover, soon after a minor relaxed, entertaining investigate at the Dallas Public Library, that the real story of the Barrow gang is, as is normally the situation, far much more exciting and complex than the one-dimensional common myth. To be absolutely sure, the sociological undercurrents of the real story are correctly regarded as important historical past. In the 1990s I happened on a fascinating and effectively crafted very little reserve titled ‘Running With Bonnie and Clyde: The Ten Fast A long time of Ralph Fults’, by John Neal Phillips. Just one chapter in this electric powered recounting of the unbelievably violent activities of a quantity of the users of Barrow’s Lake Dallas Gang tells of Barrow following being launched from 1 of his stints in prison. Obtaining determined to check out going a lot more or much less straight, he established out to locate employment, hitchhiking and bussing from Texas to Massachusetts. But his report and his timing (This was all through the Terrific Despair, when jobs ended up scarce) still left him with no prospective clients, and he returned, homesick, to Dallas.

A couple of several years again, all through a person of my visits with the proprietor of Molloy Glass and Mirror, a small shop on Floyd Avenue in Dallas, and one of the oldest firms even now in operation in Dallas, I was amazed to study from him that for many years Dallas had been a little bit of a hotbed of art glass producing for church buildings, business buildings and homes. He fished out a circa Nineteen-teens Dallas telephone directory and showed me that the corporation with the most ads in the directory was Dallas Art Glass Firm, with about 100 employees.

At least two art glass outlets other than Molloy’s ended up found on Floyd Street and the adjacent Swiss Avenue during the Great Melancholy. One particular was the United Glass and Mirror Corporation. Right after Clyde Barrow returned from the North, he was employed by that business as a shipping driver. Seemingly he was very well-preferred. He’d saunter about to Molloy’s and cling out with the staff there, so I’m informed. But at that time in Dallas, circumstances of prison mischief would provide the community constabulary out to spherical up the standard suspects. Clyde’s getting in that group intended squad cars and trucks in the street in entrance of United Glass and Mirror. Right after a number of episodes of the ensuing destructive publicity, United made the decision to let Barrow go. That was the past time the discouraged and brief-fused Barrow gave any assumed to reputable work.

The art glass organizations in Dallas employed a number of immigrant artisans, most of whom ended up Czech or German. Soon after my maternal grandfather immigrated to the Usa from Prague, Czechoslovakia in 1913, he labored at a selection of stained glass retailers around Texas right until he was able to commit comprehensive time to his own studio afterwards. His to start with spouse died in the early 1930s, leaving two younger youngsters. It would not have been unusual for individuals kids to have been at their father’s sites of work, two of which were being United Glass and Mirror and Molloy Glass and Mirror, where they’d have probably occur into get in touch with with the shortly-to-be determined, hardened, needed killer Clyde Barrow.

The present-working day publish-modern day, cosmopolitan international crossroads regarded as Dallas, Texas has held a little bit of its previous towniness. One particular encounters common places, often unchanged from times long gone by, in older parts of the metropolis. The developing that was the moment the filling station/snack bar that Barrow’s father, with whom Barrow was extremely shut, developed in entrance of the tiny frame house he had developed earlier, stands on Singleton Avenue in the West Dallas spot. The little duplex in front of which Barrow shot and mortally wounded a sheriff’s deputy is however nearby on North Winnetka Avenue. The property in which Bonnie Parker lived with her mother is on Douglass Street just south of Wycliff Avenue, in the vicinity of Maple Avenue. And the creating which housed a café the place Parker was a preferred waitress before she met Barrow now homes a grinding shop, in close proximity to the Baylor Hospital advanced in Old East Dallas, a few blocks from these artwork glass stores on Floyd Avenue and Swiss Avenue, and an quick and nice bicycle trip from the chair in which I sit typing.

I often pass by the structures involved with Clyde Barrow and Bonnie Parker, quite significantly like structures in Dallas neighborhoods in which I expended my childhood. It can be not at all difficult for me to picture the affable potential vicious outlaw, in his trustworthy working man’s apparel, bouncing my mother, then a really younger little one, on his knee, leaving her, unusually, with a enjoyable memory.

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Resource by Timothy McClure

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